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Sander van deurzen

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    • Slitter
    • Slappe spielat (limp stretcher bar)
    • Referentia
    • Brug
    • Brug
    • Untitled
    • 22 meters walldrawing Verbeke Foundation
    • Walldrawing Verbeke Foundation
    • Flipside
    • Untitled (detail)
    • Untitled
    • Untitled
    • Bellenblazer (Soft Version)
    • Een ontsnappend schilderij – A painting escapes
    • Maybe on Monday
    • Fringle
    • Pawn, balloon, thread, hole
    • Untitled
    • Cream
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    • Untitled
    • Double blues 1
  • < 2020
    • Stage pink
    • Fizzy
    • Mote II
    • Untitled
    • Breath
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    • Bench
    • untitled
    • untitled
    • Untitled
    • Exhibition-solo NL
    • Exhibition-duo
    • Showers
    • Rückenfigur
    • Searching for oil on the bottom of the basement
    • Inside looking out
    • The amplifier
    • ‘Slices-amplifier’
    • Cream of the young
    • Lilo
    • Untitled
    • Exhibition-solo
    • Pool
    • Untitled
    • Mural
    • Sculptures
    • Untitled
    • Wires
    • Exhibition-solo
    • Untitled
    • Murals
    • Please fix my horn, my brakes don’t work
    • Stage
    • Untitled
    • Untitled
    • Archetype
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    • Untitled
    • Untitled
    • Dust curtains
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    • Angle
    • Untitled
    • Modern-mix
    • Table
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    • Exhibition-solo CH
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    • Vanitas
  • < 2010
    • Accident 2
    • Buddha
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    • Vallende stilte
    • Untitled
    • Untitled
    • Untitled
    • Untitled
    • Vitrine geluk
    • Accidents
    • Cake
    • Flbrrrhmmbah
    • Prisoner
    • Dave
    • z.t.
    • Portret
    • z.t.
    • Lustmord 7
    • Lustmord 5
    • Kate for Rimmel
    • Dance cowboy, dance!
    • FAST FOOD TOYS
    • HEY HO, LET’S GO!
    • Lost….
    • LOS, LOSSER, LOST
    • FAST FOOD TOYS
    • GAME-OVER
    • FAST FOOD TOYS
    • FAST FOOD TOYS
    • GAME-OVER
    • Stil life with toys
    • Untitled
    • Untitled
    • The hippopotamus hunt
    • Rückenfigur
    • Untitled
    • Reclining nude
  • ABOUT

22 meters walldrawing Verbeke Foundation

personal note: In 2012, a journey began after acquiring an unsigned pastel painting at an Amsterdam auction, labeled simply as “unknown 20th century.” Little did I know that this would lead me to the work of Belgian artist Georges Robèr (1893-1969). Robèr, who fled to Rotterdam during the Siege of Antwerp in 1914, became part of the artist group De Banding (1917-1926). I had long been intrigued by De Banding’s avant-garde exploration of theosophy and anthroposophy, where abstract forms and colors were used to reveal mystical phenomena behind visible reality. Over time, I’ve collected many of his paintings and collages. Here, Robèr’s collages are directly integrated into the wall, as if they rise from the drawing itself. The wall drawing, made with stove soot, stretches 22 meters and was on show from 01.05.23 to 01.05.24.